Movie
Hokum
Tropes in this movie
Science vs. Faith
highOhm dismisses the bellhop's supernatural warning as irrational, investigates the sealed suite drunk, and nearly dies — the believer is fully vindicated. The film blends folk-horror and Irish folklore to deliver explicit 'supernatural comeuppance,' and Ohm's climactic return to the suite requires engaging with what his rationalism denied. The skeptic is proven wrong, the mystical explanation triumphs, and the resolution demands a surrender of cold logic.
About this trope: Characters face a choice between rational/scientific thinking and spiritual/intuitive belief. The story typically validates faith or emotion over cold logic — the scientist is wrong, the believer is vindicated.
The System Is Rigged
mediumHotel management is negligent and indifferent to Fiona's disappearance, focused on closing for the season rather than locating a missing employee. 'Shady criminal undertones' suggest institutional complicity beyond mere incompetence. Ohm achieves nothing through official channels and must bypass the hotel entirely — breaking back in with an eccentric drifter — to pursue any justice. Working within the system fails; operating outside it is the only recourse.
About this trope: Institutions meant to protect people — governments, corporations, law enforcement, the justice system — are depicted as corrupt, incompetent, or actively harmful. Heroes must work outside official channels.
A Parent's Shadow
mediumOhm's journey is entirely framed by his parents: he travels to their honeymoon hotel to scatter their ashes beside a tree photographed during that same trip. The sealed suite's visions force him to confront repressed corners of his personal past, which in context reads as unresolved parental legacy. His arc from self-absorbed alcoholic novelist toward 'reckoning with whatever darkness has been waiting for him' tracks the G3 pattern of accepting rather than fleeing an inherited burden.
About this trope: A character must grapple with the legacy of their parents or predecessors — living up to high standards, running from expectations, atoning for inherited sins, or forging their own path.
Movies that share these tropes
Full plot (spoilers)
Ohm Bauman (Adam Scott) is a depressive, alcoholic American novelist nearing the end of his Conquistador Trilogy when a mysterious dark figure from his past unnerves him. Seeking escape, he checks into the Billberry Woods Hotel — a sprawling, somewhat dilapidated inn in rural Ireland where his parents once honeymooned — intending to scatter their ashes at a forest tree his mother was photographed beside during that same trip. He quickly alienates several staff members: Fergal the handyman, Mal the concierge, and desk clerk Fiona. A bellhop attempts to warn Ohm that the hotel's honeymoon suite is sealed and haunted by the ghost of a witch, but Ohm dismisses him. During Halloween festivities at the hotel, Ohm drinks heavily and decides to investigate the locked suite himself. He wakes the next morning in a hospital bed — Fiona found him near death in his room. When he returns to the hotel to thank her, Fiona has vanished. Hotel management is far more preoccupied with closing for the season than searching for the missing woman. Partnering with an eccentric drifter named Jerry, Ohm resolves to find Fiona and breaks back into the sealed honeymoon suite. Inside, he is besieged by disturbing visions that force him to confront repressed and painful corners of his own past. The film blends folk-horror atmosphere, Irish folklore, shady criminal undertones, and supernatural comeuppance as Ohm moves from callous self-absorption toward a reckoning with whatever darkness — personal and spectral — has been waiting for him.
Sources: TMDb overview, Wikipedia, IMDb, Nerdist review